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George Buma Ampratwum

Painting and Sculpture

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About

PROFILE BIO: GEORGE AMPRATWUMGeorge Ampratwum, a Ghanaian born in 1977, is a senior lecturer in the Department of Painting and Sculpture at Kwame Nkrumah University of Science and Technology-Kumasi and an art exhibition historian and market specialist. In 2022, he obtained his Doctorate from KNUST, with a thesis titled "A Bouquet of Blooming Flowers: Exhibition Histories and Cultures In Ghana From Akuapem Six to blaxTARLINES (1950s-2020)." He also holds an MA in Arts Market (History, Professional Practice, and Museum Studies) from Kingston University-London and a BA in Painting from KNUST. Since 2011, George Ampratwum has collaborated with k?rî'k?chä seid'ou, Edwin Bodjawah, and Kwaku Boafo Kissiedu in research and pedagogical interventions that have facilitated the emergence of young Ghanaian contemporary artists on the international stage. These collaborations have been instrumental in driving radical ruptures and resurgence in the Department of Painting and Sculpture.As a Co-initiator of blaxTARLINES, he served as one of the Artistic Directors in a triumvirate of exhibitions held at the Museum of Science and Technology- Accra (2017 "Orderly Disorderly", 2016 "Cornfields in Accra," and 2015 "the Gown must go to Town"). These exhibitions featured emerging contemporary artists and curators such as Jeremiah Quashie, Ibrahim Mahama, and Bernard Akoi-Jackson, as well as established artists such as Ablade Glover, Edwin Bodjawah, Professor El Anatsui (Guest of Honor), Goddy Leye, and Selected Students. His recent projects have focused on critically examining the shifting exhibition paradigms and histories and their corresponding artistic forms, formats, and figures in Ghana's Contemporary Art canon. He has also traced the genealogies and affinities of the current pathbreaking exhibition forms spearheaded by k?rî'k?chä seid'ou and blaxTARLINES, outlining some theoretical currents that underpin exhibition cultures over seventy years, from Ghana's late-colonial era, through the early post-colonial period, to the present era.

Research Summary

(inferred from publications by AI)

The researcher's work is deeply interdisciplinary, synthesizing insights from diverse domains to explore the interplay between socio-political forces, cultural expressions, and urban development challenges. Drawing on themes across African history and culture studies, cultural industries and urban development, urban and rural development challenges, fashion and cultural textiles, and digital media and philosophy, the researcher examines how these areas intersect to shape cultural narratives and experiences. Their work delves into how art and technology influence youth culture in Africa, how digital media redefines identity across cities and communities, and how globalization reshapes globalized cultural expressions.

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About This Profile

This profile is generated from publicly available publication metadata and is intended for research discovery purposes. Themes, summaries, and trajectories are inferred computationally and may not capture the full scope of the lecturer's work. For authoritative information, please refer to the official KNUST profile.