© 2026 KNUST Research Atlas. All rights reserved.

Back to Search
Profile photo of Charles Frimpong

Charles Frimpong

Industrial Art

View Official KNUST Profile

About

Prof. Charles Frimpong (PhD) obtained a bachelor’s degree from the Industrial Art Department of the Kwame Nkrumah University of Science and Technology in 1991 with a specialization in Textiles and went on to pursue a post-graduate diploma in Art Education. He subsequently fulfilled a heartfelt dream of pursuing further studies in Textile Technology at the University of Ghent, Belgium, between 1994 and 1996 culminating in his involvement in preliminary studies on carpet performance; an EU sponsored project. His concentration was on Pile Yarn Related Influences on Carpet Resilience. He returned to Ghana in 1996 with a MSc. Textile Technology degree and started a career in teaching with KNUST. His area of specialization has been Fabric Construction, Dyes and Dyeing Technology and Textile Testing. His interest in local textile traditions led to his instrumental involvement in the introduction of “Kente” weaving on table looms in the second year of the Textiles programme. He has also led groups of MFA in Textile Design students, and cohorts of international students and professors to the three textile producing regions of Ghana on study tours of these three traditions. Prof. Frimpong has served on various committees at different levels of the University community and was awarded in 2002 for meritorious work in his role as the International programmes coordinator for College of Art and Social Sciences (CASS).He served as the Head of Department from August, 2011 to July, 2013 as a first term, and again from 2016 to 2018 in a second term. In 2019, he was elected Vice Dean of the Faculty of Art, and currently the Dean of the Faculty of Art. In 2005, he partnered a Kenyan consultant to undertake consultancy work for UNESCO on the conservation of traditional textiles. In 2010, he was awarded a PhD degree in Art Education after completing a research in developing “A User-Friendly Colour Matching System for Tie-dye/Batik producers”. The laboratory work for this study was wholly executed in the wet labs of the School of Textiles, NC State University during the summer of 2005. In November of 2011, he presented a paper extracted from his PhD research at the first Smartex International Conference in Kaferelsheikh, Egypt. He has since then published a number of articles in scholarly journals in the area of African textiles and fashion.In 2014, he was awarded with the ITAA Janet Else Visiting Scholar Award in Charlotte, North Carolina for his dedication and excellence in the teaching and training of students in the area of Textiles and Fashion.Prof. Charles Frimpong (PhD) obtained a bachelor’s degree from the Industrial Art Department of the Kwame Nkrumah University of Science and Technology in 1991 with a specialization in Textiles and went on to pursue a post-graduate diploma in Art Education. He subsequently fulfilled a heartfelt dream of pursuing further studies in Textile Technology at the University of Ghent, Belgium, between 1994 and 1996 culminating in his involvement in preliminary studies on carpet performance; an EU sponsored project. His concentration was on Pile Yarn Related Influences on Carpet Resilience. He returned to Ghana in 1996 with a MSc. Textile Technology degree and started a career in teaching with KNUST. His area of specialization has been Fabric Construction, Dyes and Dyeing Technology and Textile Testing. His interest in local textile traditions led to his instrumental involvement in the introduction of “Kente” weaving on table looms in the second year of the Textiles programme. He has also led groups of MFA in Textile Design students, and cohorts of international students and professors to the three textile producing regions of Ghana on study tours of these three traditions. Prof. Frimpong has served on various committees at different levels of the University community and was awarded in 2002 for meritorious work in his role as the International programmes coordinator for College of Art and Social Sciences (CASS).He served as the Head of Department from August, 2011 to July, 2013 as a first term, and again from 2016 to 2018 in a second term. In 2019, he was elected Vice Dean of the Faculty of Art, and currently the Dean of the Faculty of Art. In 2005, he partnered a Kenyan consultant to undertake consultancy work for UNESCO on the conservation of traditional textiles. In 2010, he was awarded a PhD degree in Art Education after completing a research in developing “A User-Friendly Colour Matching System for Tie-dye/Batik producers”. The laboratory work for this study was wholly executed in the wet labs of the School of Textiles, NC State University during the summer of 2005. In November of 2011, he presented a paper extracted from his PhD research at the first Smartex International Conference in Kaferelsheikh, Egypt. He has since then published a number of articles in scholarly journals in the area of African textiles and fashion.In 2014, he was awarded with the ITAA Janet Else Visiting Scholar Award in Charlotte, North Carolina for his dedication and excellence in the teaching and training of students in the area of Textiles and Fashion.Prof. Charles Frimpong (PhD) obtained a bachelor’s degree from the Industrial Art Department of the Kwame Nkrumah University of Science and Technology in 1991 with a specialization in Textiles and went on to pursue a post-graduate diploma in Art Education. He subsequently fulfilled a heartfelt dream of pursuing further studies in Textile Technology at the University of Ghent, Belgium, between 1994 and 1996 culminating in his involvement in preliminary studies on carpet performance; an EU sponsored project. His concentration was on Pile Yarn Related Influences on Carpet Resilience. He returned to Ghana in 1996 with a MSc. Textile Technology degree and started a career in teaching with KNUST. His area of specialization has been Fabric Construction, Dyes and Dyeing Technology and Textile Testing. His interest in local textile traditions led to his instrumental involvement in the introduction of “Kente” weaving on table looms in the second year of the Textiles programme. He has also led groups of MFA in Textile Design students, and cohorts of international students and professors to the three textile producing regions of Ghana on study tours of these three traditions. Prof. Frimpong has served on various committees at different levels of the University community and was awarded in 2002 for meritorious work in his role as the International programmes coordinator for College of Art and Social Sciences (CASS).He served as the Head of Department from August, 2011 to July, 2013 as a first term, and again from 2016 to 2018 in a second term. In 2019, he was elected Vice Dean of the Faculty of Art, and currently the Dean of the Faculty of Art. In 2005, he partnered a Kenyan consultant to undertake consultancy work for UNESCO on the conservation of traditional textiles. In 2010, he was awarded a PhD degree in Art Education after completing a research in developing “A User-Friendly Colour Matching System for Tie-dye/Batik producers”. The laboratory work for this study was wholly executed in the wet labs of the School of Textiles, NC State University during the summer of 2005. In November of 2011, he presented a paper extracted from his PhD research at the first Smartex International Conference in Kaferelsheikh, Egypt. He has since then published a number of articles in scholarly journals in the area of African textiles and fashion.In 2014, he was awarded with the ITAA Janet Else Visiting Scholar Award in Charlotte, North Carolina for his dedication and excellence in the teaching and training of students in the area of Textiles and Fashion.Prof. Charles Frimpong (PhD) obtained a bachelor’s degree from the Industrial Art Department of the Kwame Nkrumah University of Science and Technology in 1991 with a specialization in Textiles and went on to pursue a post-graduate diploma in Art Education. He subsequently fulfilled a heartfelt dream of pursuing further studies in Textile Technology at the University of Ghent, Belgium, between 1994 and 1996 culminating in his involvement in preliminary studies on carpet performance; an EU sponsored project. His concentration was on Pile Yarn Related Influences on Carpet Resilience. He returned to Ghana in 1996 with a MSc. Textile Technology degree and started a career in teaching with KNUST. His area of specialization has been Fabric Construction, Dyes and Dyeing Technology and Textile Testing. His interest in local textile traditions led to his instrumental involvement in the introduction of “Kente” weaving on table looms in the second year of the Textiles programme. He has also led groups of MFA in Textile Design students, and cohorts of international students and professors to the three textile producing regions of Ghana on study tours of these three traditions. Prof. Frimpong has served on various committees at different levels of the University community and was awarded in 2002 for meritorious work in his role as the International programmes coordinator for College of Art and Social Sciences (CASS).He served as the Head of Department from August, 2011 to July, 2013 as a first term, and again from 2016 to 2018 in a second term. In 2019, he was elected Vice Dean of the Faculty of Art, and currently the Dean of the Faculty of Art. In 2005, he partnered a Kenyan consultant to undertake consultancy work for UNESCO on the conservation of traditional textiles. In 2010, he was awarded a PhD degree in Art Education after completing a research in developing “A User-Friendly Colour Matching System for Tie-dye/Batik producers”. The laboratory work for this study was wholly executed in the wet labs of the School of Textiles, NC State University during the summer of 2005. In November of 2011, he presented a paper extracted from his PhD research at the first Smartex International Conference in Kaferelsheikh, Egypt. He has since then published a number of articles in scholarly journals in the area of African textiles and fashion.In 2014, he was awarded with the ITAA Janet Else Visiting Scholar Award in Charlotte, North Carolina for his dedication and excellence in the teaching and training of students in the area of Textiles and Fashion.

Research Summary

(inferred from publications by AI)

The researcher's work focuses on integrating advanced nanofiber technologies across diverse fields, particularly emphasizing bioluminescent nanofibers for biomedical applications and pigment synthesis properties. Their research extends to textiles, environmental education, biofuel production, and creative industries, while also contributing to sustainable practices in agriculture, energy management, and social sciences. The work highlights the interdisciplinary integration of nanotechnology into innovative solutions for biomedical health, environmental sustainability, and creativity, reflecting a comprehensive approach to advancing material science applications.

Research Themes

All Papers

Photocatalytic degradation of dyes by novel electrospun nanofibers: A review(2022)
An overview of the science and art of encapsulated pigments: Preparation, performance and application(2022)
Phosphorylation and Octenylsuccinylation of Acid‐Thinned Starch for Enhancing Adhesion on Cotton/Polyester Blend Fibers at Varied Temperature Sizing(2018)
The implications of energy literacy on energy savings behavior: A model of contingent effects of energy value and attitude(2023)
Rice Bran, an Alternative Nitrogen Source for Acetobacter xylinum Bacterial Cellulose Synthesis(2018)
A Comparative Study of History, Equipment, Materials, Techniques and Marketing Approach of Traditional Weaving in Ghana(2013)
A Comparative Study on the Techniques, Tools and Materials for Indigenous Weaving in Ghana(2021)
Environmental sustainability through recycled polythene textile art(2022)
A comparative study of knitted strain sensors fabricated with conductive composite and coated yarns(2019)
Progress on the Fabrication of Smart Textiles Based on Soft Strain Sensors(2019)
The State of <i>Kete</i> Development in the Volta Region(2020)
Adaptation of Traditional Symbols into Bridal Wear(2014)
‘Classicon’: Innovative Design from Classical and Contemporary African Textile Print Design Concepts(2018)
Evaluation of Circular Srategies and their Effectiveness in Fashion SMEs in Ghana(2024)
Synthesis of highly stable bacterial cellulosic pocket for drug storage(2018)
Examining the structure of the fashion industry in Ghana in ensuring the successful adoption of sustainable approach(2023)
The role of developing countries in the global fashion industry sustainability discourse: Ghana in perspective - A narrative review(2024)
Awareness and perceptions of sustainability and circular strategies among SME fashion producers in Ghana(2025)
Awareness and perceptions of sustainability and circular strategies among SME fashion producers in Ghana(2023)
Influence of Core Build-Up Designs on Preventing Early Failure of Composite Resin Core in Molars Under Traction Forces: A Finite Element Analysis Study(2024)
Advances in Ti<sub>3</sub>C<sub>2</sub>T<sub>X</sub> MXene‐Integrated Conductive Textiles for Wearable Biomedical Sensors in Health Monitoring(2025)
Theory, Modeling, and Simulation of MXene/Polymer Nanocomposites(2022)
Risk assessment of attitudes and practices of students and practitioners toward studio dyeing in Ghana(2019)
Dabbing Technique as a Means of Acquiring Images for Hand-screen Printing(2024)
Tribology of hybrid nanofiller/polymer nanocomposites(2023)
A manual beaming device: an improved method for warp winding in broadloom weaving(2017)
The Influence of Change on Indigenous Strip-Woven Fabrics in Ghana(2023)
Enhancing the Value of Indigenous Pottery Products with Surface Decoration Methods & Macramé(2013)
Culturally Influenced Garment Designs: Focused on Ga-Adangbe Cultural Elements in Ghana(2021)
A Combined Material Substitution and Process Change Approach to Sustainable Batik Production(2018)
Harnessing Microalgae Biomass from Lake Taihu as a Natural Biocolorant Source for Sustainable Eco-Friendly Dyeing of Cotton with Ultrasonication(2022)
ASSESSING THE IMPACT OF INTERNAL CONTROL SYSTEMS ON GHANA POST KUMASI(2012)
A Novel Approach to Unzipped Tubes Synthesis Using Sulfanilic Acid as the Backbone Amino Acid(2019)
Campus Companies: Harnessing the Potential of Fashion and Textiles Production Units in Ghanaian Polytechnics for Income Generation(2015)
Polymer Nanocomposite Foams and Acoustics(2023)
The Implications of Energy Literacy on Energy Savings Behaviour: A Model of Contingent Effects of Energy Value and Attitude(2023)
Evaluation of Edwuma Pa Fibre Extraction Machine for Sisal and Banana Leaves: A Sustainable Approach for Textile Applications(2023)
Processing and Strength Characterisation of Banana Fibre Cordage(2024)
A Review of Sustainable Banana Fibre Production and Usage in West Africa(2024)
Advancing Sustainable Soil Health Practices: Strategies for Quality and Global Competitiveness Among Cotton Farmers in Ghana(2025)

Collaboration Network

ddcd2539-ca2c-413e-aff3-c27a82d401b4
Research Collaboration Map
Collaboration Frequency
Less
More

About This Profile

This profile is generated from publicly available publication metadata and is intended for research discovery purposes. Themes, summaries, and trajectories are inferred computationally and may not capture the full scope of the lecturer's work. For authoritative information, please refer to the official KNUST profile.